Showing posts with label ryan gosling. Show all posts
Showing posts with label ryan gosling. Show all posts

Thursday, November 8, 2007

Boy Meets Girl?


**** out of ****


Amidst an overflow of serious films in the multiplexes, you can find relief in the light-hearted comedy, "Lars and the Real Girl," one of the gems of 2007.


Ryan Gosling stars as the title character Lars Lindstrom, a lovable loser, who is socially inapt. Lars' rare trips out are either to go to church or to his job, where his new co-worker, Margo (Kelli Garner), is attracted to him. He lives in a sparsely furnished garage off of his brother Gus' house. Gus (Paul Schneider) and his wife, Karin (Emily Mortimer), are expecting their first child.


Gus insists to Karin that Lars likes to live alone. Karin, however, is persistent in her attempts to socialize with Lars.


The events change quickly when Lars actually knocks on Gus and Karin's door to have dinner with them saying he has a girlfriend, Bianca. Gus and Karin want to meet her, but are shocked when they find out that Bianca is a custom made life-size doll.


Lars treats Bianca as if she were real. He even gives her a life story -- that she is a Brazilian missionary with nurse training whose parents died at birth, among other various things.


Gus thinks Lars is crazy and Karin also has her doubts. But family doctor/psychiatrist, Dagmar (Patricia Clarkson), says he is fine but delusional, slowly letting out his bottled up feelings. The doctor recommends that they should treat Bianca as if she were real and Lars will eventually stop using her when he has come to terms with his issues. Easier said than done.


The movie progresses as Lars and Bianca step out and the snowy, small town accepts Bianca. She and Lars actually become minor celebrities.


Taking the place of last year's "Little Miss Sunshine," "Lars" is a subtle comedy with laugh-out-loud moments. At times it is a sad film about loneliness and the kindness of others, which is inspiring at the end.


After "The Notebook" and coming off his first Academy Award nomination for "Half Nelson," Ryan Gosling is a smart guy when it comes to films, and this only adds to his near perfect resume. Gosling is phenomenal as Lars. In a role with spare lines, he pours his emotions out on screen.


Indie-film star Emily Mortimer shines on screen. Playing a natural do-gooder, Mortimer is memorable in one of the few tear-jerker scenes towards the end where she confronts Lars.
Patricia Clarkson also stands out. Her character connects with Lars with their mutual loneliness in heart-touching conversations.


This is director Craig Gillespie's first film (his second "Mr. Woodcock" was released in September), and is a marvelous attempt. The same goes for screenwriter Nancy Oliver -- this is her first feature film screenplay.

Sunday, July 15, 2007

'Fracture' just can't be healed


** out of ****


Fracture plays it straight, among a realm of thrillers with twists that don’t make much sense (Premonition, The Reaping, Perfect Stranger). Though, playing it straight all the way through may not be a good idea either.


Ryan Gosling (Half Nelson, The Notebook) plays Willy Beachum, a young hot shot assistant D.A. on the fast lane, who takes the case of Ted Crawford (Anthony Hopkins). Crawford, a construction engineer, attempted to kill his wife, Jennifer (Embeth Davidtz) sending her into a coma, after finding out that she was having an affair. With a signed confession the case seems like an easy win for Willy, who has an outstanding 97% conviction rate.


When Ted reveals, during trail, that his arresting officer, Rob Nunally (Billy Burke), was the man having an affair with his wife the case goes into a dramatic tailspin. The confession can’t be used and the gun that Ted used against his wife can’t be found, therefore he walks off a man free.


Beachum and Nunally know that Crawford killed his wife and they won’t stop until he is behind bars. Providing for a soul searching balance of truth or justice.


Although the audience knows what is happening every step of the way, the thrill is supposed to be how Beachum will find evidence to convict Crawford or how Crawford will get away with it. The thrill however gets old lessening the suspense and the final impact of the film. If Fracture were a 60-minute TV show it would be a nail bitter, but one thrill and no twists aren’t enough to carry a 112 minute movie.


Gosling does a great job verbally sparring with Anthony Hopkins, but Hopkins steals the show. Playing Crawford with the same intense charisma and wit as Hopkins own, Hannibal Lecter, every scene he is in is enticing.


Director Gregory Hoblit does a pleasant job, but doesn’t do anything that makes Fracture notable. Writers Daniel Pyne and Glenn Gers make a wonderful screenplay that is both witty and clever with snappy dialogue.


Fracture has a good premise but has nothing that makes it stand out among must-see films.
Starting off good Fracture gets worse and the “cast” can’t heal it either.