'Burn' a hit for Coen brothers

*** out of ****

What happens when an amateur duo of dim-witted doofuses beats the head honchos of the CIA at their own game? The answer is found in "Burn After Reading," a smart film about not so smart people.

Hot off of their success from four-time Academy Award winner (including Best Picture) "No Country for Old Men," brothers Joel and Ethan Coen, do a 360 with their new absurd spoof comedy. After variable success in the genre with hits ("The Big Lebowski") and misses ("Intolerable Cruelty"), "Burn" is without a doubt a hit.

Part of an all-star cast, John Malkovich stars as the angry, foul-mouthed CIA analyst Osborne Cox. The movie begins with Cox getting fired for having a drinking problem, angrily retorting to his colleague, "You're a Mormon! Next to you, everyone's got a drinking problem."

With his newfound spare time, spent mostly drinking and lounging, he decides to write his memoir, to the indifference of his icy wife (Tilda Swinton).

The plot gains traction when a disk containing parts of Osborne's memoir is somehow left on the locker room floor at a gym named Hardbodies. Mistakenly taken as CIA secret information, gym employees Linda Litzke (Frances McDormand), who is hankering for a plastic surgery makeover and the fitness-obsessed Chad Feldheimer (Brad Pitt), see it as an opportunity for easy money.

As the two carry out their half-baked blackmail scheme, Linda starts to date a married Treasury Department employee, Harry Pfarrer (George Clooney), who is having an affair with Mrs. Cox. As all of their lives converge, the Coens create the perfect set up for chaos, murder and hilarity.

Instead of an all-out parody, this film is more of a briskly-paced CIA comedy caper -- Joel and Ethan take the typical craziness out of a spy movie and push it to the max with their imaginative screenplay.

Playing for laughs, not awards, John Malkovich, Brad Pitt and Frances McDormand are still at the top of their games and give some of the most entertaining performances of the year.

J.K. Simmons deserves a mention as the baffled CIA superior who tries to follow the blackmail-murder-love triangle situation. At the end of the film he asks, "So, what did we learn?" The answer is "nothing."

However, like a good episode of "Seinfeld," learning much about nothing is rewarding even on its own, as long as it keeps us laughing.

Helen Hunt reappears with new film

*** out of ****

Academy Award-winning actress Helen Hunt seemingly has fallen off the movie map since 2000's "Cast Away" and "What Women Want." Hunt makes her comeback not only as an actress, but as a first-time feature film producer, writer and director with "Then She Found Me"

The film stars Hunt as April Epner, a New York schoolteacher who goes into a mid-life crisis after multiple hits of fate.

The first is her inability to conceive a child naturally with her biological clock ticking. The second hit catches April off guard when her husband, Ben (Matthew Broderick), who works at the same school, unexpectedly leaves her. The third hit is her adoptive mother, Trudy (Lynn Cohen), passes away and, if that isn't enough, April's birth mother, Bernice (Bette Midler), decides to re-enter April's life. Then, a gentlemanly Brit named, Frank (Colin Firth), a father of one of April's students, unexpectedly enters her life.

Well directed, the movie has both April and the audience feeling overwhelmed with all of this happening and on board for a charming ride.

April has a hard time believing the bouncy Bernice, a semi-famous morning talk show host, is her mother, a woman who never is entirely honest about the story of April's adoption and her birth father.

When April finally settles in with the idea of Bernice being her mother and her newfound romance with Frank, a new problem arises: April finds out she is finally pregnant, but with Ben's baby. Ben, trying to come back into the picture as the father, brings complications to her romance with Frank.

Sorting through life with the help of each of these characters and her non-adopted brother Freddy (Ben Shenkman), "Then She Found Me" is a realistic look into making the best of what life gives you, even if it appears to be the worst.

"Then She Found Me" boasts a fabulous cast of actors who rarely are seen in films anymore, including Bette Midler, whose last appearance was in the underwhelming 2004 remake "The Stepford Wives."

Colin Firth ("Bridget Jones's Diary") is fine as the single father Frank, but the role isn't much of a stretch from his previous work. Matthew Broderick gives a rare dramatic performance as April's husband, who is finally ready to accept responsibility. Two-time Oscar nominee Midler fits her role like a glove as the over-the-top Bernice, who generates the film's biggest laughs.

Hunt marvels as April in a difficult role that reconfirms her status as an Oscar-winning actress. As a director and writer she pulls it off. Starting as a comedy, the film is a little rocky, but the fairly smooth transition into drama is where it excels.

The brave screenplay doesn't feel like a studio product, like most films of its genre today. The movie provides a content down-to-earth ending that caps off a satisfying journey. One of the better movies of its class in a long time, "Then She Found Me" truly is a find.

"Baby Mama" is a bundle of joy

*** out of ****

Baby movies seem to be all the rage in Hollywood. "Baby Mama" is a comedy that shows us the lighter side of pregnancy. While we confirmed this from last year’s "Knocked Up", "Waitress" and "Juno", unlike "Baby Mama" all of these films had a sober edge. "Mama" takes the sugary-sweet approach making it less memorable than the other films. However, it sure doesn’t skip on the laughs, providing many knee slapping moments.

From "Saturday Night Live"’s Weekend Update, the comedic duo Tina Fey and Amy Poehler have taken different career paths. Fey became a successful award-winning TV actress on NBC’s "30 Rock". Poehler stuck with "SNL" and took supporting scene-stealing roles in comedies like "Blades of Glory" and "Shrek the Third" to name a few.

In "Baby Mama" the laughable duo reteams again oozing with comedic chemistry.

Fey plays Kate Holbrook, a slightly altered version of her neurotic "30 Rock" character, Liz Lemon. Vice President at a Philadelphia organic supermarket chain; years of climbing up the corporate ladder, single Kate realizes all that is missing in her life is a baby. After many failed attempts at conceiving, 37-year-old Kate whose chances of becoming pregnant are one in a million, resorts to surrogacy.

When finding out that the hefty fee for a surrogate is $100,000, Kate wittily replies to clinic’s owner Chaffee Bicknell (Sigourney Weaver), “It costs more to have some one born than to have someone killed.” Chaffee casually rejoinders, “It just takes longer.”

Here is when Angie Ostrowiski (Amy Poehler) a loud trailer park slob comes into play as Kate’s surrogate. While it seems hard to believe that a woman like her could pass the clinic’s screening process, Angie agrees to help Kate achieve her dream of becoming a mother.

But after Angie and her common-law boyfriend Carl (Dax Shepard) break-up, Angie, who has no clue on the rules of pregnancy, moves in with the welcoming Kate.

While living together, Angie teaches Kate how to let loose while Kate teaches Angie how to grow up; their clashing personalities provide many laughs in this female buddy comedy. Not serious or offensive to anyone, Baby Mama’s message shows that there are multiple ways of obtaining a child and no choice is the wrong one.

Lone writer Michael McCullers ("Saturday Night Live", "Austin Powers 2-3", "Undercover Brother") also makes his directorial debut. Predictable but fun, McCullers adds in some curveballs that you never see coming, that involve Angie not being entirely truthful with Kate.

A big strong supporting cast adds to the movies fun. Weaver is comical as the extremely fertile clinic owner. Shepard has his share of humorous one-liners. Romany Malco ("Weeds", "The 40 Year Old Virgin") is the amusing door-holder at Kate’s building who becomes Angie’s confidant. Maura Tierney ("ER") adds snarky quips as Kate’s sister along with Holland Taylor ("Two and a Half Men") as her mother. Siobhan Fallon also has a brief part as the teacher at a Lamaze class with an Elmer Fudd accent, one of the movie’s funniest scenes.

Gregg Kinnear is a big player in the film as Kate’s love interest who mixes in some drama. Steve Martin however, is the weakest actors as Kate’s over-the-top hippie boss with most scenes not fitting in with the rest of the film.

The pairing of two of the funniest women today, Tina Fey and Amy Poehler, is what makes this movie an event to see. The scenes without them together are usually the frailest. Thankfully about 90% of the time they are side-by-side. Fey plays the same role type of a buttoned-up character with an everyday charm. Poehler on the other-hand is a loud-mouth, shrill, obnoxious character that somehow manages to find a place in our hearts.

A smart light comedy, "Baby Mama" is certainly a bundle of joy.

EXCLUSIVE Interview with "Trailer Park of Terror"'s Nichole Hiltz and Director Steven Goldmann

(Stevn Goldman, far left, and Nichole Hiltz, center, at the Philadelphia Film Festival for their film "Trailer Park of Terror").

At the 17th Philadelphia Film Festival I got the chance to chat with the director, Steven Goldmann, and star, Nichole Hiltz, of the upcoming humorous horror flick "Trailer Park of Terror".

Part of the Film Festival’s Danger After Dark (aka DAD) series, "Trailer Park of Terror" is a countrified entertaining thrill ride. Goldmann who’s directed hit music videos for stars like Bruce Springsteen, Shania Twain and Faith Hill, makes his second feature length film.

Nichole Hiltz plays the lead, Norma, a Southern Trailer Park killer. With numerous supporting roles on hit films and TV shows like the FX hit series, "The Riches" and is to star in the upcoming USA Network show, "In Plain Sight".

Based off of the popular comic book series that started in 2002, "Trailer Park of Terror" captures much of the comic’s essence.

Quite a leap from country music videos to comic book horror, Steven Goldmann was drawn to the film because, “After the Kelly Preston family film Broken Bridges and country music videos, my fear was that I was going to get pigeonholed. I didn’t pick music videos, they picked me. I wanted to take my career in a different direction.” He also added, “With this I was able to build something from the ground up and make it appeal to a wider audience.” Nichole Hiltz joined onto the project for most of the same reasons. In a role that would have most actresses’ running in the opposite direction, Nichole took the role of Norma saying, “I’m ballsy and not scared. Truthfully, at first, I didn’t want to take the role. It was risky and could have killed my career if it wasn’t done right. It was the teen Norma and her back-story, seeing where she came from, that really drew me in. The first draft was much darker and tragic. It is every actress’ dream to play a comic book character.”

Originally created as a horror anthology Goldmann said, “No one wanted an anthology. They have a history of not doing well. Exceptions are Tales from the Crypt and The Twilight Zone which had bigger followings. Trailer Park only has a cult following of 500,000 readers an issue.”

According to Goldmann the filming took a brief 18 days, “On the last four days I was rushing through it on a golf cart going through the three sets that we had running. I would never want to experience something like this again because I am a perfectionist. I wish I had more time on some things, but overall I am happy on how it turned out.”

Nichole also felt the stress being a lead actress, “There is a lot more pressure to carry a film. You either go for it or not. As they say there are no small parts and you have to commit to everything.” Hiltz also took a lot away from the production. “This is the first time I had to stick up for a role. Being cast as a female horror character is different and difficult in an almost all male cast. I had to put my foot down. Norma is my baby.”

Finally when I asked if they had plans for us to see more of Norma and friends in the future? “I have every intention,” says Steven Goldmann, “This is the first movie in a while that has memorable and marketable monsters.” Nichole Hiltz already seems up to the challenge of reprising the role, “I hope for a sequel. I will fight anyone who tries to take her away from me.”

For more on the comic and film "Trailer Park of Terror" visit www.trailerparkofterror.com

'21' falls short of winning hand

** out of ****

"21's" winning slogan, "winner, winner, chicken dinner," is quoted quite often, but the movie is more of a turkey. The newest card playing movie since last year's Drew Barrymore-Eric Bana flop "Lucky You," "21" is definitely more entertaining, but still goes bust.

From across the pond, "Across the Universe" and "The Other Boleyn Girl" star Jim Sturgess puts on his best American accent as the film's lead, Ben Campbell. Ben is an Massachusetts Institute of Technology student who can do math faster than a calculator. He's in desperate need of a scholarship or $300,000 to achieve his dream of attending Harvard Medical School. Opportunity knocks on his door when his math professor Micky Rosa (Kevin Spacey) offers him a place on the school's secret card counting team, the "MIT Blackjack Club."

Ben reluctantly takes Rosa up on his offer, realizing his financial woes and the persuasion from seductive Jill Taylor (Kate Bosworth), his campus crush. The condition that he imposes upon himself is playing only until he can win enough money for Harvard -- "a means to an end."

Jetting back and forth from chilly Boston to glossy Las Vegas on the weekends, the team counts their cards and then their chips, raking in the dough.

As they change their names and wear disguises to masquerade their identities, their days become numbered with increasing security technology. The day arrives sooner than expected as the casinos see that their profits are slipping and vigilant security pro Cole Williams (Laurence Fishburne) starts to unearth Micky's elaborate system.

For blackjack novices, don't fear, the movie gives a brief tutorial on how the game works, as well as the intriguing team's hand gestures, body movements and word signals to indicate if a table is "hot," "cold" and other player codes.

"21" has exciting blackjack table scenes, though away from Las Vegas' glitter the film is stale. "21" does manage to be rousing enough to follow through, even at its most tedious points. Screenwriters Peter Steinfeld ("Be Cool," "Analyze That") and Allan Loeb ("Things We Lost in the Fire") capture the excitement of the game, but provide a failing hand with the rest of the story.

The ending is a slight disappointment. As the film progresses, the story becomes too unrealistic, which is funny, since the movie is loosely based on the true story of the real MIT Blackjack Team and adapted from the book "Bringing Down the House," written by Ben Mezrich.

Director Robert Luketic ("Legally Blonde," "Monster-in-Law") certainly has some style with fascinating aerial shots of Vegas and the fast-editing on the casino floors, but it's Something we've seen already in the superior "Ocean's 11."

Jim Sturgess does a fair job as Ben, but seems somewhat miscast. Kevin Spacey tries his best with the role, but gives up along the way becoming over-the-top without much depth. The same goes for Fishburne. The average Bosworth surprisingly works well in the role of Ben's love interest. Aaron Yoo ("Disturbia") and Liza Lapira ("Cloverfield") are affable as fellow teammates Choi and Kianna.

With a great concept, "21" folds on quality story telling. Not worth the gamble to see in the theaters, "21's" good enough to ante up $3 for a rental.

"Semi-Pro" is only Semi-Decent

**1/2 out of ****

Will Ferrell's latest comedic outing, "Semi-Pro," never becomes a slam-dunk, or a three-pointer for that matter. It does score a few points, but mainly just hits the backboard.

In the vein of Ferrell's other hilarious sports satires "Talladega Nights: The Ballad of Ricky Bobby," "Kicking and Screaming" and "Blades of Glory," "Semi-Pro" drops the ball, taking it one too many with a stale been-there-done-that taste.

Funnyman Ferrell still generates enough sporadic laughs to make "Semi-Pro" a worthwhile venture for fans of the star and this genre.

Ferrell once again plays a superficial, self-absorbed and highly confident character, this time under the alias of Jackie Moon. Set in the mid-1970s, Jackie is a one hit wonder with his Barry Manilow-esque "Love Me Sexy" and uses the money from the song to acquire an American Basketball Association (ABA) team -- the Flint, Mich., Tropics.

Acting not only as the owner, but as a coach, player and promoter, Jackie learns that the ABA is to merge with the National Basketball Association (NBA) at the end of the season. The catch is that only the top four teams will be part of the merger.

At the bottom of the rankings, the sad-sack team gets a much-needed boost when Jackie recruits a former NBA has-been, Monix (Woody Harrelson). It isn't long after Monix clashes with the only promising player on the team, ball-hog, Clarence "Coffee" Black (Outkast's Andre "3000" Benjamin). As the team starts shaping up and the attendance increases, the Tropics look as if they are on their way to be a part of the NBA.

We all know that Will Ferrell can be funny, even in his sleep, with his comedic ability, but he doesn't bring anything new to the table in a film relying heavily on sight gags rather than dialogue. You can't help but laugh at the song "Love Me Sexy" and the promotions to bring in the fans.

To be noted, this film is rated R, unlike Ferrell's other sports films. Ferrell and crew never bother to go the extra mile in what could have resulted in a PG-13 rating, by editing a few words.

Woody Harrelson, who reached film stardom in his 1992 basketball comedy "White Men Can't Jump," shines in most of his scenes. Harrelson carries a majority of the funny lines that work, but a subplot with his ex, Lynn ("ER's" Maura Tierney), just slows down the poorly paced film thanks to first-time director Kent Alterman.

As random as "Semi-Pro" is, there are a number of subplots and scenes that should have wound up on the cutting room floor. A prime example is the scene of a drugged-out hippie fan who receives an un-cashable $10,000 check after scoring a free-throw, played by Jackie Earle Haley of sports comedy "Bad News Bears" fame.

"Saturday Night Live's" Kristen Wiig makes a brief appearance, as well as Patti LaBelle, Rob Corddry and Andy Richter. Andrew Daly ("MadTV") and Will Arnett are dependable for laughs as the wise-cracking sports commentators.

When the fourth quarter rolls around, "Semi-Pro" stays strong, but that isn't enough to win the game. While the film is worth a watch if you like Will Ferrell's previous work, but ultimately "Semi-Pro" is just a semi-decent flick.

"Be Kind Rewind" Short on Laughs

** out of ****

"Be Kind Rewind" is one of those movies that would make a stellar short film, but stretch it to feature length and you're looking for the fast-forward button. The movie's simple idea is to take popular films and parody them on a shoe-string budget with YouTube quality. This is the concept for this relatively absurd film.

"Be Kind Rewind" has a lot of heart, but never delivers on the laughs. Set in Passaic, New Jersey, the film starts off strong. The opening scene focuses on a dumpy, corner brick-and-mortar movie rental store called Be Kind, Rewind. In this store you won't find a DVD anywhere, only VHS, and yes, this is set in present day.

The store owner is Mr. Fletcher (Danny Glover), who leaves Mike (Mos Def), the only other employee, in charge of the store while he scouts out local competition. Mike is odd and shy, with a strong sense of morality that sometimes gets twisted by Jerry (Jack Black), his goofy friend who works in a junk yard.

Jerry hits the play button on this slow moving plot when he destroys a local generator claiming it was controlling his mind, sending magnetic waves through his body. Next morning when Jerry enters the store, he inadvertently magnetizes all the tapes, rendering them blank. In fear of upsetting Mr. Fletcher, and the survival of the store, Mike hatches an idea. Jerry and Mike remake short versions of all the films. In come the parodies.

"Be Kind Rewind" relies on its laughs to come from the parodies that rarely generate a chuckle. "Rewind's" biggest belly-busters are from the natural moments, but they aren't enough to carry the film. The parody highlights range from "Driving Miss Daisy," "Rush Hour 2," "The Lion King," "Ghostbusters" and "Boyz N the Hood" -- anything is fair game.

The director and writer is the Oscar-winning visionary Michel Gondry ("Eternal Sunshine of the Spotless Mind," "The Science of Sleep"). A Frenchman, Gondry shows his love for American cinema in his most mainstream film yet. Gondry shows his troubled writing skills with poor pacing, but manages to stir up natural, down-to-earth dialogue even for such a quirky film.

Jack Black ("King Kong," "Nacho Libre") again can't contain himself, but is more relaxed than in his past comedic outings. Black is the perfect fit for a character like Jerry who is obnoxious and unaware of his surroundings. Mia Farrow makes another trip back to the big screen as Miss Falewicz, a friend of Mr. Fletcher who keeps an eye on naive Mike. Melonie Diaz joins in on the fun as one of the actresses in the parodies.

Mos Def ("16 Blocks," "The Italian Job") is the one to keep an eye out for. He is excellent as Mike with his quirky mannerisms and shy behavior. Like Mark Wahlberg, Mos Def is one of the few rappers-turned-actors that manage to make a smooth transition to film.

"Be Kind Rewind" is one to watch on DVD. However, you won't find yourself hitting rewind when it is over.

'Over Her Dead Body' gets some laughs

**1/2 out of ****

While heaven isn't the most desirable place to be on your wedding day, the main character in "Over Her Dead Body" would definitely say it's hell.

Eva Longoria Parker, who plays the wickedly hilarious Gabrielle Solis on the hit comedy "Desperate Housewives," doesn't need to stretch far to play her ghostly role in this romantic comedy. "Over Her Dead Body" is quite charming on its own silly terms and is much better than you might expect.

The film begins with Kate (Longoria Parker), a "bridezilla," shouting commands at her wedding staff minutes before the guests arrive. "Knocked Up's" Paul Rudd plays the groom, Henry, a friendly, laid-back veterinarian.

Running around to inspect the final touches, Kate blows up when she finds that the angel ice sculpture is missing its wings. After a heated argument with the sculptor (Stephen Root), a mishap occurs and the angel falls over and, with an ironic splat, sends her to the heavens above.

Fast-forward a year later and Henry still thinks about Kate, not moving on with his love life. Henry's sister, Chloe (Lindsay Sloane), takes him to her psychic friend, Ashley (Lake Bell), who has been told to say that Kate wants him to move on.

To Chloe's joy the plan succeeds. Henry does move on -- with Ashley. Chloe isn't the only one upset. Kate is, too! Like two peas in a pod, Henry and Ashley hit it off. But Kate's ghost, only visible to Ashley, is hell-bent on destroying their relationship. Accordingly, Kate is stuck in limbo and can pass through the Pearly Gates only after she completes unfinished business, which she believes is to protect Henry.

While the audience quickly discovers what she must really do to finally pass on, we still have fun watching Kate as she tries to figure it out for herself in this comical, supernatural love triangle.

Amusing as it might be, "Over Her Dead Body" (originally titled "Ghost Bitch" and "How I Met My Boyfriend's Dead Fiancee") falls victim to the standard plot formula of its genre -- boy meets girl, loses girl, gains girl back.

Writer Jeff Lowell ("John Tucker Must Die") points out some witty observations with laugh-out loud moments that are too sporadic, turning the film's status to lifeless in between.

A twist involving Dan (Jason Biggs), Ashley's gay business partner, towards the end is very surprising, but too ridiculous and unbelievable to be clever. To be noted, Lowell is taking double duties, making his debut as director.

Longoria Parker, dressed in white throughout the film, is hilarious, but at times needs to take it down a notch making some moments obnoxious.

Lake Bell ("Boston Legal") gets the job done well and shines in a few scenes.

Biggs flails around in a slapstick role and is quite funny while doing it. However, Rudd acts as if he is the one passing on. The main problem with Rudd is he never appears to be the type of person to marry snobby perfectionist Kate and the on-screen chemistry never comes through.

With its many high points and some flaws, "Over Her Dead Body" never fully comes alive.

Katherine Heigl shines in "27 Dresses"

*** out of ****

"27 Dresses" is the new chick-flick of '08, but, guys beware, this is one you can go to and still have a laugh.

We have seen some variation of the formulaic romantic comedy "27 Dresses" countless times. Does it give us any new insight on the subject of marriage? No. Does it offer anything remotely original? No. Does it make an enjoyable comedy? Yes.

Katherine Heigl, of "Gray's Anatomy" and "Knocked Up" fame plays late twentysomething Jane, a hopeless romantic. Jane's life is neat and organized, working as an assistant at an eco-friendly company. Her boss George (Edward Burns) is oblivious that Jane holds a secret love for him. Jane's love life, however, sits on the back burner while acting as her friends' go-to-gal for planning weddings.

Jane is the embodiment of "always a bridesmaid never a bride." She's been one 27 times and counting. Keeping all the dresses crammed into an overflowing closet provides many amusing flashbacks.

At a pre-wedding party for a co-worker, Jane finally works up the nerve to ask George out, but her younger sister Tess (Malin Akerman) beats her to the punch.

The news gets worse when the manipulative Tess becomes engaged to George, which devastates Jane.

When Tess asks Jane to plan her impromptu wedding, spineless Jane can't say no.

In the meantime, Kevin (James Marsden), writer for the commitments section of The New York Journal, is pessimistic about marriage. Meeting Jane at a wedding, Kevin's persistent for a date, popping up in her daily life after finding Jane's dropped planner.

They eventually start dating, but Jane can't stop being frustrated with planning the wedding of the groom who should have been hers.

Jane also can't stand to see George get hurt, being blinded by Tess' lies and fake persona.

"27 Dresses" is consistently funny throughout. The montage of Jane wearing the 27 dresses is hilarious and the drunken karaoke scene is a highlight of the movie.

Heigl is amusing as Jane and handles the dramatic scenes nicely with plenty of chemistry wtih James Marsden.

Newbie Swedish actress Malin Akerman ("The Heartbreak Kid") wasn't exaggerated enough for most of her scenes, causing them to be somewhat lackluster.

Edward Burns is suitable as George, but acts too aloof throughout the movie.

Judy Greer, who plays Jane's co-worker and best friend Casey, provides comic relief.

In her second attempt at directing after the hit "Step Up," Anne Fletcher, a long time choreographer, paces the film well with drama and comedy in the mix.

Screenwriter Aline Brosh McKenna ("The Devil Wears Prada") wrote the witty screenplay. Unlike most romantic comedies, the script is believable without relying on unrealistic coincidences.

In a sea of cute date movies, "27 Dresses" is certainly engaging (no pun intended).

'Juno' finds comedy in serious subject

**** out of ****

Winning major acclaim at this year's Toronto Film Festival, "Juno" serves up a comedic look at the rather unfunny topic of unplanned teen pregnancy.

The film opens with Juno MacGruff (Ellen Page), a 16-year-old high school junior, finding out she's pregnant. Over the course of several days and taking many pregnancy tests that keep turning up positive, the store clerk (Rainn Wilson) gives Juno these foreboding words as she shakes her pregnancy test: "That ain't no Etch-A-Sketch. That's one doodle that can't be undid, homeskillet."

Her geeky boyfriend, Paulie Bleeker (Michael Cera), becomes the father after their first sexual encounter. When Juno breaks the news to her best friend, Leah (Olivia Thirlby), she is offered the options of abortion or adoption. She picks the former, but at the clinic decides she can't go through with it and plans to have the baby and give it to a loving family.

Juno's vacuum-salesman father, Mac (J.K. Simmons), and stepmother, Bren (Allison Janney), a dog-obsessed nail salon owner, aren't quite thrilled with the prospect, but are supportive nonetheless.

With Leah's help they find a married couple seeking a child in the local paper. Living in a gated community, the wealthy couple turns out to be the immaculate Vanessa Loring (Jennifer Garner) and her husband, Mark (Jason Bateman).

Vanessa is thrilled at the prospect of being a mother, but Mark, a composer for commercial jingles with dreams of being a rock star, isn't as ecstatic. However, Mark finds a connection with Juno, who shares the same interests in music and guitar.

"Juno" is quite the ride through a high schooler's ordeal of dealing with the emotional rollercoaster of being pregnant and the tribulations of carrying a child. Twenty-year-old Canadian actor Ellen Page is phenomenal as Juno, delivering her lines with great comedic timing and the ability to display emotion with ease. Breaking out in 2005's acclaimed thriller "Hard Candy" and then in "X-Men: The Last Stand," Page certainly has made a name for herself.

"Superbad" star Cera is charmingly funny as Paulie, but is slightly underused, not having much of a role during Juno's pregnancy, until the movie's end. Simmons and Janney deliver some of the funniest lines while supporting Juno throughout the film.

Bateman adds lighthearted comedy to his supportive role and Garner gives some of her best work as a mother-to-be.

Sophomore slump isn't a phrase you would use to describe Jason Reitman's second outing at a feature film. His first was the highly regarded comedy "Thank You for Smoking."

"Juno" is the first screenplay written by Diablo Cody (her real name is Brook Busey), a 29-year-old whose previous occupation was, oddly enough, as a stripper. Diablo certainly has proven she can write and her name will come up again soon with Showtime's "The United States of Tara," created by Steven Spielberg and starring Toni Collette, and an adaptation of her book "Candy Girl: A Year in the Unlikely Life of a Stripper."

With laugh-out-loud scenes every moment, a writer, director and actress who you can't wait to see what they'll do next, and a heartfelt ending, "Juno" is a film you need to see.

An "Enchanting" Tale

***1/2 out of ****

"Enchanted" is a classic Disney fairytale from the moment Julie Andrews begins narrating with the line "Once upon a time" to the closing "happily ever after."

A sugary-sweet family treat, "Enchanted" begins as a cartoon in the land of Andalasia, where people break out in song, animals do daily chores, and an evil queen rules the land.

The story starts with Queen Narissa (Susan Sarandon), who's in fear of losing her royal throne if her stepson, Prince Edward (James Marsden), marries. Edward's "friend," Nathaniel (Timothy Spall) is in on the Queen's plan of thwarting Edward's attempts at love.

While hunting for ogres in the woods, Edward hears a woman singing. The woman is Giselle (Amy Adams), a mash-up of every classic Disney princess. She is so jovial that she can't stop dreaming, smiling or singing to her animal friends. When they meet, it is love at first sight and quickly they are off to marry.

Determined to foil the wedding, Narissa, similar to the queen in "Snow White," transforms herself into an old hag, luring Giselle to a wishing well. But before Giselle has a chance to make a wish, Narissa pushes her down the well, only for Giselle to find herself in a new world. Ours.
Narissa's plan isn't without flaw, though, as Giselle's smart-alecky chipmunk friend, Pip (Jeff Bennett/Kevin Lima) sees it all take place.

Turning now into a live-action film, we see Giselle crawl out of a manhole in New York City.
Frazzled, confused, yet still extremely optimistic, Giselle hustles and bustles her way through the city in her full-flowing princess gown to find her way home with amusing outcomes.

It isn't until she is mugged and wandering through the rain that she meets Robert (Patrick Dempsey), a divorce lawyer who's, ironically, a divorcee himself on the verge of engagement to another woman, Nancy (Idina Menzel). Robert's young daughter Morgan (Rachel Covey) convinces her reluctant father into taking Giselle in for the night.

While Morgan believes Giselle is a real princess, Robert doesn't believe in this fairy tale until he sees his home being cleaned by rats, pigeons and fleas -- the New York version of woodland creatures.

Back in the cartoon world Andalasia, Pip the chipmunk tells Edward and Nathaniel of Giselle's fate, and they too go down the well and through the manhole arriving in New York City.

The dashing but dimwitted Prince Edward wanders around the city to rescue Giselle. This is where the adventures begin with many laugh-out-loud sequences. Nathaniel adds to the comedy while in cahoots with the Queen to thwart the Prince along the way.

Harkening back to classic Disney cartoons, director Kevin Lima ("Tarzan"), keeps a whimisically brisk pace during the 107 minute running time.

Set to Bill Kelly's ("Premonition," "Blast from the Past") clever screenplay, "Enchanted" pokes fun at fairytales, which is a comedic pleasure for both kids and adults. The script loses steam during the finale, opting for a semi-entertaining CGI extravaganza.

Nominated for Best Supporting Actress for her role in "Junebug," Amy Adams could get her second nomination here, playing the role with bubbly charisma. Adams elevates her role, and the movie, as a few great actresses can.

With a heart-warming message, hilarious songs, and something for everyone, "Enchanted" is nothing short of enchanting.

"Bee Movie" is 'Bee'-Rated

**1/2 out of ****

Among talking ants, fighting insects, dancing penguins, partying cows, zoo animals running amok in the wild and cooking rats, a new member of the critter kingdom gets a chance to be animated. This time it's a bee.

"Bee Movie" is Dreamworks' latest animated film and one of the most "buzzed" about for the past few months. Though the animation isn't as detailed as "Shrek" or "Ratatouille," it is simple and glossy like "Meet the Robinsons," it does a good job making an insect with bad conduct cute enough to stick in a McDonald's Happy Meal.

"Bee Movie" starts off with Barry B. Benson (Jerry Seinfeld), an idealistic bee, who just graduated from his three days of school, a clever joke about the short life span of a bee. He and his conservative bee friend, Adam Flayman (Matthew Broderick), now must pick a job to do for the rest of their lives.

Barry decides to become a pollen jock, a bee that leaves the hive to collect nectar, spreading around pollen to give other plants life.

On Barry's first trip out of the hive into New York City, he encounters a few pratfalls. Getting separated from the group, Barry finds shelter in the home of florist Vanessa Bloome (Renee Zellwegger). Vanessa's husband, Ken (Patrick Warburton, a frequent guest star on "Seinfeld"), tries to kill Barry, but Vanessa saves him.

Wanting to thank Vanessa, Barry deliberates whether or not to break bee law number one -- no talking to humans, or giving in to friendliness and curiosity. Affable Barry decides to befriend Vanessa. After the initial shock, Vanessa quickly warms up to Barry and the two become friends. When Barry and Vanessa hint at being more than friends, the movie flies off into act three, as if all this weren't enough.

On a supermarket trip with Vanessa, Barry learns that humans are collecting honey from the bees. Barry is repulsed and so is his hive when he tells them. This leads Barry to sue the human race.

Vanessa and his best friend Adam are his lawyers. But in court, one of the funniest parts in the film, Layton T. Montgomery (John Goodman), a Southern attorney for the honey companies, may be too much for the unlikely team to handle.

The film is created, produced, co-written and stars comedian Jerry Seinfeld in his first major role since "Seinfeld" ended in 1998. "Bee Movie" lacks that extra "sting" to make it rise above the recent animation fare. The extensive cast includes Oprah Winfrey as the judge at the trial, Kathy Bates and Barry Levinson playing Barry's bee parents, fellow "Seinfeld" alumnus Michael Richards, Rip Torn, Chris Rock as a mosquito, Megan Mullally, Larry King as a bee version of himself and Ray Liotta as the label of an evil honey-making company. Even the real Sting makes a cameo, being sued for the rights to his name.

Jerry Seinfeld is goofy, but personable and charismatic, as Barry. With a few jokes that fly over the heads of kids, "Bee" still is a kiddie-flick that can hold the younger crowd's attention, but lacks in keeping older kids entertained, unlike "Shrek."

With all the buzz, this is still a "bee"-rated movie.

Boy Meets Girl?

**** out of ****

Amidst an overflow of serious films in the multiplexes, you can find relief in the light-hearted comedy, "Lars and the Real Girl," one of the gems of 2007.

Ryan Gosling stars as the title character Lars Lindstrom, a lovable loser, who is socially inapt. Lars' rare trips out are either to go to church or to his job, where his new co-worker, Margo (Kelli Garner), is attracted to him. He lives in a sparsely furnished garage off of his brother Gus' house. Gus (Paul Schneider) and his wife, Karin (Emily Mortimer), are expecting their first child.

Gus insists to Karin that Lars likes to live alone. Karin, however, is persistent in her attempts to socialize with Lars.

The events change quickly when Lars actually knocks on Gus and Karin's door to have dinner with them saying he has a girlfriend, Bianca. Gus and Karin want to meet her, but are shocked when they find out that Bianca is a custom made life-size doll.

Lars treats Bianca as if she were real. He even gives her a life story -- that she is a Brazilian missionary with nurse training whose parents died at birth, among other various things.

Gus thinks Lars is crazy and Karin also has her doubts. But family doctor/psychiatrist, Dagmar (Patricia Clarkson), says he is fine but delusional, slowly letting out his bottled up feelings. The doctor recommends that they should treat Bianca as if she were real and Lars will eventually stop using her when he has come to terms with his issues. Easier said than done.

The movie progresses as Lars and Bianca step out and the snowy, small town accepts Bianca. She and Lars actually become minor celebrities.

Taking the place of last year's "Little Miss Sunshine," "Lars" is a subtle comedy with laugh-out-loud moments. At times it is a sad film about loneliness and the kindness of others, which is inspiring at the end.

After "The Notebook" and coming off his first Academy Award nomination for "Half Nelson," Ryan Gosling is a smart guy when it comes to films, and this only adds to his near perfect resume. Gosling is phenomenal as Lars. In a role with spare lines, he pours his emotions out on screen.

Indie-film star Emily Mortimer shines on screen. Playing a natural do-gooder, Mortimer is memorable in one of the few tear-jerker scenes towards the end where she confronts Lars.
Patricia Clarkson also stands out. Her character connects with Lars with their mutual loneliness in heart-touching conversations.

This is director Craig Gillespie's first film (his second "Mr. Woodcock" was released in September), and is a marvelous attempt. The same goes for screenwriter Nancy Oliver -- this is her first feature film screenplay.

'The Game Plan' Fumbles

* out of ****

"The Game Plan" is the newest Disney family comedy romp, though there aren't many X's and O's on the chalk board.

The Game Plan is about ace pro-NFL quarterback, Joe Kingman (Dwayne "The Rock" Johnson), who plays for the fictional football team, The Boston Rebels. While Kingman is a national sensation, closing huge endorsement deals left and right, he is also an idiotic, self-absorbed playboy and portrays this behavior pretty much through the whole movie.
He never throws to his open receivers and runs the ball himself no matter how much it hurts the team, kind of like Terrell Owens.

While he throws huge parties in his lavish penthouse with his multiple girlfriends, he is also lonely. That is the cue to bring in Peyton Kelly (Madison Pettis), Joe's 8-year-old daughter that he never knew existed. And her arrival happens at the worse time imaginable, of course, because Joe is about to lead his team to the football championship.

While there are certainly many question marks such as: Would a mother really leave her child on a man's doorstep that she hasn't seen since she got divorced from him? Isn't there a better suitor for the job? Is emergency humanitarian work in Africa an excuse to leave her child for a month without a phone number or means of contact?

However, this is Disney so don't expect much to be answered.

The rest of the film focuses on Joe learning that little girls don't like protein shakes or workout regiments but ballet and dolls. Peyton acts equally as dumb as Joe, turning a blender on with the lid off, and putting two bottles of bubble soap into a bath tub. These comedic scenes, though, don't leave the audience laughing.

When Peyton convinces Joe to take her to ballet school, he falls for her ballet teacher, Monique Vasquez (Roselyn Sanchez), where he gets the ballet-is-a-sport-too nuance and she gets a crash lesson in football.

If Disney's game plan for "The Game Plan" was to make it as cute as possible, they scored a TD, but not really anywhere else.

Director Andy Fickman ("She's the Man") provides a certain level of originality, though it seems hackneyed and contrived; trying to please all demographics.

Wrestler-turned-actor Johnson is a decent in dramas ("The Gridiron Gang") and comedies ("Be Cool"). You see him genuinely trying to be funny, but he is so over exaggerated, when he first sees Monique, you think his eyes and heart would actually pop out and start thumping.

Ultra-cute, tinkering on being fake, Madison Pettis, who you might recognize from the Disney Channel, is funny, but starts to annoy halfway through when she's in one too many scenes.

Kyra Sedgwick is wasted as Joe's ice cold agent, Stella Peck, being too cartoonish -- like Cruella De Vil -- to pose a threat.

Meanwhile the best actor could be Spike (Tubbs), Joe's bulldog who gives off some funny sight gags thanks to a tutu and nail polish.

The movie's biggest problem is you probably saw it all before with titles like "Kindergarten Cop," "Father Hood," "Mr. Nanny" and "The Pacifier."

"The Game Plan" is silly, fun and harmless if you are 10 and younger. However, it's not so cringe-worthy you can't sit through it, and you'll probably get a laugh or two. "The Game Plan" is a weak one, but it's not a complete shut-out.

'Thirteen' is a lucky number for 'Ocean's'

***1/2 out of ****

A-List gang is back for comedy heist flick, Ocean’s Thirteen, the third installment in the Ocean’s franchise. Minus Julia Roberts and Catherine Zeta-Jones but adding Al Pacino, Ellen Barkin, and Eddie Izzard the cast doesn’t miss a beat.

The thirteen that make up the Ocean’s gang are led by Danny Ocean (George Clooney): one of the master minders behind the heists along with, Rusty Ryan (Brad Pitt), the rookie, Linus Caldwell (Matt Damon), the machinery expert, Basher Tarr (Don Cheadle), a casino dealer, Frank Catton (Bernie Mac), Danny’s rich mentor, Reuben Tishkoff (Elliot Gould), con-artist, Saul Bloom (Carl Reiner), brothers that have knowledge in all fields, Virgil Malloy (Casey Affleck) and Turk Malloy (Scott Caan), expert in technology, Livingston Del (Eddie Jemison), acrobatic master, Yen (Shaobo Qin), the rich casino-owner that the gang robbed in the first two Ocean’s films, Terry Benedict (Andy Garcia), and another connoisseur in technology, Roman Nagel (Eddie Izzard). These thirteen make up a tidal wave of action.

Returning back to Las Vegas, Thirteen isn’t about getting the, money, but revenge. The victim? Willy Bank (Pacino), famous for his hotels winning the ‘Five Diamond’ award. Willy cheated Reuben out of his money and ownership in his new ultra-luxury hotel/casino in Vegas appropriately named, ‘The Bank’. The stress caused old man Rueben to have a heart attack.
The plan for revenge? To rig everything, from the blackjack tables to the slot machines by opening night so all of the gambling patrons will win, setting Willy back half a billion dollars, bankrupting him in the process.

Ocean’s Thirteen is back to its original glossy form, a slight notch below Ocean’s Eleven, but a vast improvement from the utterly disastrous Ocean’s Twelve whose heist was ripping off us American movie-goers $125 million.

The acting is first-rate like the first two, with the cast pulling in the audience having an extremely fun time. Ellen Barkin is great as the icy Abigail Sponder, Willy’s right-hand man. Pacino’s acting job as Willy Bank could be a dub for the Donald, but is too light in some scenes for a villainous character.

Directed again by Steven Soderbergh, Thirteen has a lickety-split pace, but never seems rushed. Soderbergh manages to give each of the cast members their own scene, a rare directing quality that keeps you involved throughout the film, though the presence of Pitt, Clooney, Damon, Barkin, and Pacino command most scenes.

New writers, Brian Koppelman and David Levein do a fine job, with an easy to follow enjoyable script, being taken along as if part of the heist. But in some scenes the lingo gets to technical to the point where you just say “Huh?”

So far out of this summer’s disappointing threequels, Ocean’s Thirteen beats the odds and comes up a winner.

'Shrek the Third' isn't a king

** out of ****

Shrek the Third proves that, the third time isn’t always a charm. Back with Shrek (Mike Meyers), Fiona (Cameron Diaz), Donkey (Eddie Murphy), Puss in Boots (Antonio Banderas) and the rest of the old gang, Shrek the Third, an animated fractured fairytale, looses much of its charm, appeal, and originality.

Shrek the Third is different from the first two films of the trilogy by having multiple story lines, trying to appeal to each demographic, even at a brisk 92 minutes. Opening up with the first storyline, Fiona’s father, King Harold (John Cleese) is on his deathbed and tells Fiona and Shrek that they are next in line to rule the Kingdom of Far Far Away Land. Shrek, unsure of his King-like abilities, sets off to Worchestershire (a medieval high school) with Puss and Donkey to find another rightful ruler, Arthur “Artie” (Justin Timberlake), the class whipping boy. But just before they set off on their adventure Fiona reveals that she is pregnant and like in any sitcom, Shrek is unsure of his father-like abilities too.

Storyline two is probably the weakest because it should have ended with Shrek 2; it starts with Prince Charming (Rupert Everett) who now is reduced to working at a dinner theater. Charming soon devises up a sinister plan to take over Far Far Away Land and murder Shrek in the process, in cahoots with other fairy-tale villains.

The final story line and the most compelling and funny is with Fiona, her mother, Queen Lillian (Julie Andrews), and the princesses, Rapunzel (Maya Rudolph), Snow White (Amy Poehler), Cinderella (Amy Sedaris), and Sleeping Beauty (Cheri Oteri). All together to celebrate Fiona’s baby shower, they morph into Charlie’s Angels in an attempt to thwart Charming’s plans when he invades the kingdom.

Like Spider-Man 3, Shrek the Third’s problems are too many stories crammed into one movie, one of the underlying problems are the new directing and writing team. Many of the jokes fall flat and not one makes you keel over in laughter. Justin Timberlake gives a mediocre voice performance and Shrek is less of an ogre but more like a cuddly Winnie the Pooh type character.
I tried to like Shrek the Third, after the excellent Shrek, and the fantastic Shrek 2, but a smile became excoriating while watching, a film below mediocrity. The only plus is its improved stunning animation.

However, with its satisfying ending this would be a nice place to leave off. But, for this DreamWorks/Paramount cash-cow you won’t see the end anytime soon. With a holiday special on ABC this December, Shrek the Halls, a Shrek 4, in the works along with the spin-off, Puss in Boots (both set for 2010) and a Broadway musical adaptation in the process, Shrek’s last note hopefully doesn’t have to be of mediocrity.

Waitress serves up fresh

***1/2 out of ****

In a summer of big-budget action flicks, sequels, and remakes Waitress is a fresh tart comedy with a strong plot, heart, and plenty of laughs.

Keri Russell (Mission: Impossible III) plays the extremely lovable small-town waitress Jenna, who has a knack at making pies suited for every mood. Jenna works in Joe’s Pie Diner, with her fellow waitresses; the saucy Becky (Cheryl Hines) and the shy Dawn (Adrienne Shelly)
Jenna is unhappily pregnant with her husband’s, Earl’s (Jeremy Sisto), baby. Earl is an over-controlling, rude, sleaze ball that is sucking the life out of Jenna. Wanting to leave him, Jenna doesn’t know what to do if she does.

Jenna soon develops a relationship with her new, married, gynecologist, Dr. Pomatter (Nathan Fillion) who is infatuated with Jenna. They soon begin to have an affair, finding happiness with each other.

The plot is simple. Everyone is trying to find happiness for themselves and for someone to love back.

Andy Griffith (Matlock, The Andy Griffith Show), gives a side-splitting performance as Joe. Joe is a grumpy old man who owns the diner and most of the town, giving advice to Jenna.
Waitress is hilarious, sad, dramatic, and heartwarming. The cast is terrific, Keri Russell showing her star-power. Cheryl Hines, Andy Griffith and Adrienne Shelly give funny performances. Jeremy Sisto does a tremendous job as Earl making you hate him even after the movie is over.
Waitress was also fantastically written and directed by the late Adrienne Shelly. Shelly was sadly murdered at the age of 40, November 2006. The Indie film actor was just beginning her directing and writing career. Waitress though is a fabulous film to end on, showcasing her magnificent acting, writing, and directing skills.

Nothing fancy or extravagant, Waitress is a realistic film with a terrific cast and crew. When the film is over, you aren’t asking this Waitress for a refund.