Showing posts with label animation. Show all posts
Showing posts with label animation. Show all posts

Monday, December 3, 2007

An "Enchanting" Tale


***1/2 out of ****

"Enchanted" is a classic Disney fairytale from the moment Julie Andrews begins narrating with the line "Once upon a time" to the closing "happily ever after."


A sugary-sweet family treat, "Enchanted" begins as a cartoon in the land of Andalasia, where people break out in song, animals do daily chores, and an evil queen rules the land.


The story starts with Queen Narissa (Susan Sarandon), who's in fear of losing her royal throne if her stepson, Prince Edward (James Marsden), marries. Edward's "friend," Nathaniel (Timothy Spall) is in on the Queen's plan of thwarting Edward's attempts at love.


While hunting for ogres in the woods, Edward hears a woman singing. The woman is Giselle (Amy Adams), a mash-up of every classic Disney princess. She is so jovial that she can't stop dreaming, smiling or singing to her animal friends. When they meet, it is love at first sight and quickly they are off to marry.


Determined to foil the wedding, Narissa, similar to the queen in "Snow White," transforms herself into an old hag, luring Giselle to a wishing well. But before Giselle has a chance to make a wish, Narissa pushes her down the well, only for Giselle to find herself in a new world. Ours.
Narissa's plan isn't without flaw, though, as Giselle's smart-alecky chipmunk friend, Pip (Jeff Bennett/Kevin Lima) sees it all take place.


Turning now into a live-action film, we see Giselle crawl out of a manhole in New York City.
Frazzled, confused, yet still extremely optimistic, Giselle hustles and bustles her way through the city in her full-flowing princess gown to find her way home with amusing outcomes.


It isn't until she is mugged and wandering through the rain that she meets Robert (Patrick Dempsey), a divorce lawyer who's, ironically, a divorcee himself on the verge of engagement to another woman, Nancy (Idina Menzel). Robert's young daughter Morgan (Rachel Covey) convinces her reluctant father into taking Giselle in for the night.


While Morgan believes Giselle is a real princess, Robert doesn't believe in this fairy tale until he sees his home being cleaned by rats, pigeons and fleas -- the New York version of woodland creatures.


Back in the cartoon world Andalasia, Pip the chipmunk tells Edward and Nathaniel of Giselle's fate, and they too go down the well and through the manhole arriving in New York City.


The dashing but dimwitted Prince Edward wanders around the city to rescue Giselle. This is where the adventures begin with many laugh-out-loud sequences. Nathaniel adds to the comedy while in cahoots with the Queen to thwart the Prince along the way.


Harkening back to classic Disney cartoons, director Kevin Lima ("Tarzan"), keeps a whimisically brisk pace during the 107 minute running time.


Set to Bill Kelly's ("Premonition," "Blast from the Past") clever screenplay, "Enchanted" pokes fun at fairytales, which is a comedic pleasure for both kids and adults. The script loses steam during the finale, opting for a semi-entertaining CGI extravaganza.


Nominated for Best Supporting Actress for her role in "Junebug," Amy Adams could get her second nomination here, playing the role with bubbly charisma. Adams elevates her role, and the movie, as a few great actresses can.


With a heart-warming message, hilarious songs, and something for everyone, "Enchanted" is nothing short of enchanting.

Thursday, July 12, 2007

'Shrek the Third' isn't a king



** out of ****

Shrek the Third proves that, the third time isn’t always a charm. Back with Shrek (Mike Meyers), Fiona (Cameron Diaz), Donkey (Eddie Murphy), Puss in Boots (Antonio Banderas) and the rest of the old gang, Shrek the Third, an animated fractured fairytale, looses much of its charm, appeal, and originality.


Shrek the Third is different from the first two films of the trilogy by having multiple story lines, trying to appeal to each demographic, even at a brisk 92 minutes. Opening up with the first storyline, Fiona’s father, King Harold (John Cleese) is on his deathbed and tells Fiona and Shrek that they are next in line to rule the Kingdom of Far Far Away Land. Shrek, unsure of his King-like abilities, sets off to Worchestershire (a medieval high school) with Puss and Donkey to find another rightful ruler, Arthur “Artie” (Justin Timberlake), the class whipping boy. But just before they set off on their adventure Fiona reveals that she is pregnant and like in any sitcom, Shrek is unsure of his father-like abilities too.

Storyline two is probably the weakest because it should have ended with Shrek 2; it starts with Prince Charming (Rupert Everett) who now is reduced to working at a dinner theater. Charming soon devises up a sinister plan to take over Far Far Away Land and murder Shrek in the process, in cahoots with other fairy-tale villains.


The final story line and the most compelling and funny is with Fiona, her mother, Queen Lillian (Julie Andrews), and the princesses, Rapunzel (Maya Rudolph), Snow White (Amy Poehler), Cinderella (Amy Sedaris), and Sleeping Beauty (Cheri Oteri). All together to celebrate Fiona’s baby shower, they morph into Charlie’s Angels in an attempt to thwart Charming’s plans when he invades the kingdom.


Like Spider-Man 3, Shrek the Third’s problems are too many stories crammed into one movie, one of the underlying problems are the new directing and writing team. Many of the jokes fall flat and not one makes you keel over in laughter. Justin Timberlake gives a mediocre voice performance and Shrek is less of an ogre but more like a cuddly Winnie the Pooh type character.
I tried to like Shrek the Third, after the excellent Shrek, and the fantastic Shrek 2, but a smile became excoriating while watching, a film below mediocrity. The only plus is its improved stunning animation.


However, with its satisfying ending this would be a nice place to leave off. But, for this DreamWorks/Paramount cash-cow you won’t see the end anytime soon. With a holiday special on ABC this December, Shrek the Halls, a Shrek 4, in the works along with the spin-off, Puss in Boots (both set for 2010) and a Broadway musical adaptation in the process, Shrek’s last note hopefully doesn’t have to be of mediocrity.