'Eagle Eye' flys high

**1/2 out of ****

What if the government is watching you read this review right now? Listening to your conversations through your phone’s speaker, looking at you from your webcam and following every move you make through your cell phone’s tracking device. This is the essence of the thriller Eagle Eye which lacks the anxiety of the idea that technology is surveying you everywhere.

Everyman star Shia LaBeouf (Transformers, Indiana Jones 4) leads; reteaming with director D.J. Caruso (Taking Lives, Two for the Money) who put him on the map with the modern-day revamp of Rearview Window, Disturbia. Borrowing and modernizing elements again from Hitchcock (this time North by Northwest) and Stanley Kubrick’s 2001: A Space Odyssey, Caruso makes a thoroughly entertaining thriller that dabbles more into action than smarts.

Jerry Shaw (LaBeouf) is a Stanford dropout who works at Copy Cabana, living in the shadow of his identical twin, Air Force Cadet Ethan (LaBeouf, again).

Getting a call from his mother that his twin was killed in a traffic accident, it isn’t long after the funeral that Jerry gets another fateful call. Coming home to find his apartment filled with terrorist weapons, Jerry gets a phone call from a mysterious woman to flee his apartment and if he doesn’t obey, he will die.

Rachel Holloman (Michelle Monaghan) is an overworked paralegal who sends her son (Cameron Boyce) off by train to perform at the Kennedy Center. Shortly after, she gets a call from the mystery woman. Rachel is told if she disobeys, the train her son is on will be derailed.

Slacker Jerry and divorced mother Rachel get paired together on the mystery adventure by the phone calls. Realizing whoever is pulling their strings somehow sees every move they make. Making traffic lights go from red to green, surveillance cameras going blank and machinery operate robotically (that’s only the tip of the iceberg).

Shia LaBeouf once again gives an outstanding performance, showing that he can carry a movie, going the extra mile to make a fully-developed character. Michelle Monaghan (Mission: Impossible III) has a motherly element towards Jerry while unselfishly going on with the requests to save her son.

Billy Bob Thorton is an FBI Agent and Rosario Dawson (Sin City, Rent), playing an Air Force Investigator, round out the talented cast, trying to track down Jerry and Rachel. Julianne Moore goes uncredited as the threatening monotone voice that stipulates the instructions over the phone.

D.J. Caruso fills Eagle Eye with edge-of-your-seat car chases and action sequences that have you enthralled. When the action stops, the plots ridiculousness seeps through and the hokey ending is disappointing for the film that started off strongly. Perhaps executive producer Steven Speilberg and the many people (John Glenn, Travis Adam Wright, Hillary Seitz and Dan McDermott) that wrote the film’s screenplay are to blame for the plot going from engrossing to unnecessarily dense.

Alive with fun, solid performances, adrenaline and intrigue Eagle Eye will certainly have your eyes glued to the screen.

Action-packed '10,000 B.C.' short on facts

**1/2 out of ****

Woolly mammoths helped build the pyramids, dinosaurs hid in jungles, saber-toothed tigers were the size of cars and humans spoke English 12,000 years ago? Do not expect to walk out of the theater with historic knowledge by watching the timeline-twisted "10,000 B.C." What you should expect is a historically inaccurate thrill ride of pre-historic creatures and tribes with plenty of action.

"10,000 B.C." is set among a secluded mountain tribe of mammoth hunters that has managed to find the miracle of 21st-century dental care. The simplistic plot focuses on the young, unwilling leader, D'Leh (Steven Strait), who finds his tribe attacked by a marauding group on horse back, capturing much of the tribe for slavery. During the raid, D'Leh's promised wife, Evolet (Camilla Belle), is one of the many abducted, prompting him to go save her and the others.

The perilous journey cuts through the stunning CGI-landscape of high-peaked, snowy mountains, predator-infested jungles and blistering deserts. As D'Leh fights through the conditions, he also must conquer the tyrannical empire and its leader by uniting fellow clans to rescue his people. The story smoothly flows with periodic narration by Omar Sharif.

Roland Emmerich, the man behind "Independence Day," "Godzilla," "The Patriot" and "The Day After Tomorrow" certainly doesn't know the meaning of small scale, and "10,000 B.C." is no exception. Co-writing the screenplay with the film's composer, Harald Kloser, Emmerich masterfully crafts the computer-created world of "10,000 B.C." Scenes of woolly mammoth stampedes, dinosaur attacks and gigantic pyramids make "B.C." easy to enjoy.

You cannot help but feel as if the film pulled a page from the '06 Mel Gibson film "Apocalypto" or the '60s Raquel Welch movie "One Million Years B.C." where the pyramids and dinosaurs are a better fit, respectively.

If only Emmerich cared as much about his actors than his CGI, "10,000 B.C." could have been better received by audiences. While the performances from the relatively unknown actors are surprisingly sturdy, more than a few scenes are laughable, but for all the wrong reasons.

Leading man Strait ("The Covenant") gives a solid performance as an outcast (his father abandoned the tribe when he was young) turned leader, though never exuberates much charisma in battle for a savior role. Belle, known for being the victim in the 2005 horror remake "When a Stranger Calls," plays the damsel dimly without much sense of distress.

The battles on top of the pyramids with charging wooly mammoths are the type of moments when "10,000 B.C." are at its peak. The other scenes are just idle until the next grand battle, which thankfully are only about five minutes away. Watchable and at times admirable, "10,000 B.C." is still visually fascinating and entertaining one that the whole family could enjoy. For fun and excitement, this is a point in history worthwhile to look back upon.

The Fantasy of "Spiderwick Chronicles" Charms

*** out of ****

"The Spiderwick Chronicles" is another book-to-screen outing, but unlike the rest, this one stands out. Fatigued after all of the fantasy novel adaptations from last year alone, high-profile films such as "The Golden Compass," "The Seeker: The Dark is Rising" and "Stardust" were all shunned by audiences. With rushed starts, abrupt stops and confusion all around, "Spiderwick" shakes things up by letting the viewers take a breath without skimping on the CGI warfare.

Rated PG, "Spiderwick" does have some genuinely scary moments, but this is one that the whole family can enjoy.

Based on the five-part, best-selling kids' series, the film is a faithful adaptation which combines all of the books into one presentation.

The story starts with Helen Grace (Mary Louise-Parker) moving the family to the dilapidated Spiderwick Estate after her divorce. The estate was inherited from her great-great uncle Arthur Spiderwick (David Strathairn). Oldest daughter Mallory (Sarah Bolger), who enjoys fencing, and her bookish, pacifist brother Simon (Freddy Highmore) are supportive of their distraught mother and the move. Simon's identical twin, Jared, (also played by Freddy Highmore) isn't as supportive. Adventurous, curious and headstrong, Jared is upset with his mother and would rather live with his father.

The action starts quickly when Jared finds Arthur's secret laboratory and discovers a strange old book. The book, which has a "do not open" note attached, turns out to be a field guide of the magical world around the estate and the secrets of the mysterious creatures in the surrounding woods. Jared soon becomes a believer after he meets Thimbletack (voiced by Martin Short), a small, hamster-like man who was Arthur's assistant.

Simon also becomes aware of this mystical world with strange occurrences, though Mallory and their mom are not yet convinced. The twins learn that the evil shape-shifting ogre leader, Mulgarath (Nick Nolte), will stop at nothing to retrieve the book to become even more deadly. Mallory and mom soon become believers when the house is attacked by frog-like goblins.

Unlike most fantasy films, "The Spiderwick Chronicles" doesn't hold back -- goblins not only chase the kids, but also claw and stab to the point of cuts and bruises. With many evil and hideous creatures, there are also helpful ones such as the hog-looking Hogsqueal (voiced by Seth Rogen), and flower-like fairies who help with the fight in an action-packed CGI sequence.

Known from his Lindsay Lohan hits "Freaky Friday" and "Mean Girls," director Mark Waters enters new territory and is just as successful. Waters has stunning and majestic imagery filled with CGI creatures and live-action actors intertwining beautifully making this one a must to see in the theaters -- or IMAX, where it also is being shown.

Karey Kirkpatrick, David Berenbaum and John Sayles wrote the welcoming screenplay from Tony DiTerlizzi and Holly Black's novels. It leaves no confusion and a longer exposition to create character depth, adding a much bigger impact when it comes time for the final result.

"Weeds" star Mary Louise-Parker takes the backseat playing the caring-but-unaware mom.

The real star of "Spiderwick" is the young and very talented British actor Freddie Highmore ("Finding Neverland," "Charlie and the Chocolate Factory") who sports a decent American accent. Highmore, who acts both roles, amazingly creates two very separate characters as if they were played by different performers.

The animation department deserves recognition for the stunning visuals, as do Short and Rogen for being the friendly and likeable voices of their unique characters.

Working as a stand-alone film, with a nicely closed ending, "Spiderwick" isn't the next "Harry Potter" or "Narnia," but there is still so much adventure and fun, you would want to go back for another round.

Almost 'Legend'ary

*** out of ****

Is it me or does every film set in the future have some sort of apocalyptic theme to it?

In "I Am Legend," the desolation is set in not-so-far-off 2012. From the first few scenes of the movie it is not hard to tell that something huge has happened to New York City.

Will Smith stars as Robert Neville, the last man alive in a deserted Manhattan. Weeds are growing out of the streets, the Brooklyn Bridge is dilapidated, lions and other zoo animals are prowling about, but everything else lies still. Come nighttime, however, the streets are alive -- or to be more precise, undead.

How did this come about? We cut to one of many appropriately placed flashbacks. It is 2009. While things look normal, there are some alarming changes taking place -- gas hitting a bit south of $7 per gallon and a cure for cancer has been found. The miracle cure's side effects, however, are more than just a headache.

The people given the revolutionary cure develop a virus, eventually turning into creatures that look like zombies with hairless pasty-gray skin and dilated pupils. Their vampire-like characteristics include feeding on blood and burning in the light. These primitive and aggressive people are called "dark seekers." The virus is transmitted through the air and during attacks from the monsters.

Neville, a scientist who helped with the cure, leads the chaotic evacuation/quarantine for New York City, aka ground zero. Events go terribly awry when his wife and daughter die along with others as the unstoppable virus wipes out humanity.

Immune to the virus, Robert's only companion is his dog Samantha. Living in a barricaded safe house, Robert works hard to find a cure for the virus using his immune blood when he's not out searching for survivors. He also broadcasts signals on the radio alerting possible survivors about where to meet up with him.

Racing against the clock to find a cure, with the dark seekers waiting for him to make a fatal error, the supposed "last man on earth" may not be alone after all.

Based on the 1954 novel by Richard Matheson, "I Am Legend" is the third film incarnation. The first was 1964's "The Last Man on Earth," starring Vincent Price, followed in 1971 by "The Omega Man," starring Charlton Heston.

The opening special effects are impressive. Seeing a deserted, rundown New York City with wild animals racing between abandoned cars is a spectacle. Later scenes are dicey at best. The dark seekers are effective but look as if they belong in a video game rather than a big-budget sci-fi horror film.

As far as acting goes, the one person that gets the credit (and there really only is one person to give it to other than a loveable dog), is superstar Will Smith. Smith is brilliant and makes "Legend" captivating. Showing paranoia, fear, loneliness and the willingness to survive and strive for a cure, Smith captures the audience's hearts as the hero, but also as a villain for having taken part in the virus' creation.

This is the second feature film for music-video-directing star Francis Lawrence. His first film was the passable comic book adaptation of "Constantine." While "Legend" is an improvement (Lawrence shows that he can create effective atmosphere full of many heart-racing, seat-jumping scary moments that leave shivers), Lawrence still needs to work on covering plot holes.
Most of the questionable consequences of a disaster you can shrug off, but you can't help wondering how there's electricity with no generators.

Not quite legendary, "I Am Legend" does make a name for itself.

'Golden Compass' dazzles with its cast and effects

**1/2 out of ****

The holiday season is upon us, and to the fray of fantasy book adaptations comes "The Golden Compass."

The film is New Line's latest attempt at making another lucrative franchise like "Lord of the Rings," "The Chronicles of Narnia" and "Harry Potter."

"The Golden Compass" tells the first part of the popular "His Dark Materials" trilogy written by Phillip Pullman.

"Compass" is set in a 20th-century-ish England, one of many worlds in a parallel universe. In this mystical world, every human has an animal companion called a daemon that bears it's owners soul. As children grow up their daemons can change to different animals, while adults stay the same.

Twelve-year-old orphan Lyra Belacqua (Dakota Blue Richards) is the center of the story. With a strong-headed personality, she lives among scholars in Jordan College under her distinguished uncle, Lord Asriel (Daniel Craig).

The main events ensue when Asriel shocks the Magisterium, a big-brother-like hierarchy that rules the country, by finding a golden dust in the Arctic Circle that is believed to connect the universes together.

Before heading back to the Arctic, Asriel secretly gives Lyra an alethiometer, better known as a golden compass. The last one remaining, the alethiometer is a device that can tell the truth to any question.

After Asriel leaves, Lyra's friend Roger (Ben Walker) is kidnapped by a group called Gobblers who take children to the north for experiments to control their souls under the Magisterium.
Wanting to go after Roger, Lyra jumps at the opportunity to go north to the Arctic with the elegant and mystifying Miss Coulter (Nicole Kidman), a member of the Magisterium who has a knack of getting what she wants. While Miss Coulter is friendly to Lyra, she does have hidden agenda.

Flying to the north in a ship that resembles a blimp-submarine hybrid, Lyra quickly learns of the Magisterium's plans that Miss Coulter will carry out -- the power of the alethiometer, the fate of the children kidnapped and the war that is brewing.

Sound like enough? We are barely an hour in!

While Lyra seems to be nearing her doom, she learns of her secret allies -- a group called the Gyptians. The Gyptians are a group of freedom fighters looking for the location of the kidnapped kids.

On their journey, a cowboy-like character, Lee Scoresby (Sam Elliott) joins Lyra's campaign, which also included a giant armored polar bear, Iorek (voiced by Ian McKellen) and a flying witch, Serafina Pekkala (Eva Green) along with her fellow witches.

With both sides' forces rising, the unlikely heroes, Lyra and her friends, prepare for an epic battle.

While "The Golden Compass" has its flaws, it isn't without its high points -- such as the talented cast and spellbinding special effects.

Pulled out of 10,000 girls in an open casting call, newcomer Dakota Blue Richards is the highlight of the movie. Perfect for the role, Richards has a surprisingly commanding presence and understanding of the character's emotions.

Last seen together in the thriller "The Invasion," Kidman and Craig add to the all-star cast. Talented Kidman shines again, giving an icy, villainous performance that is memorable. Craig is suave as Asriel, but his fans will be disappointed for his minor part. However, he is expected to have a much bigger one in the upcoming sequels.

With talking animals, flying witches, innovative worlds and attention-grabbing aircraft, the computer-generated effects are flawless, along with the CGI backdrop for most of the scenes. What will amaze audiences are an exhilarating fight scene between two giant polar bears and the final battle sequence that is sure to keep eyes glued to the screen.

Director and writer Chris Weitz ("American Pie," "About a Boy") gives an great attempt at his first big-budget action film.

While it is fairly well-executed, it isn't too inviting for ones who haven't read the book, with a confusing first half and too much story crammed in just under the two-hour running time. These problems will likely have some audiences not wanting to return for the sequel, "The Subtle Knife," expected in 2009.

Overall, "The Golden Compass" points in the right direction, but it is still far from "golden."