Comic book flicks to watch out for

Look up at the movie screen! Is it a comedy, is it a horror? No, it’s a comic book adaptation! Since the 70s, comic book adaptations of superheroes and mystical creatures have went from page to screen. However, this fad absolutely erupted in May of 2002 with a little film you might have heard of called, Spider-Man. The juggernaut film broke box office records, along with its sequels, and every studio wanted a page of the comic book action.

Flaunting off flashy special effects, the big-budget flicks attract even bigger audiences, turning the cinema into a comic book lover’s paradise.

Even B list characters have been made into fairly successful films like Daredevil, Ghost Rider, and the upcoming…Ant-Man (ever heard of him)?

According to IMDB (Internet Movie Database), an outstanding 80 some comic book adaptations are announced to be made, soaring into movie theaters, TV sets or DVD players. America’s obsession to watch their favorite superhero fight off their favorite supervillain better not wear off anytime soon.

Here is a look into this upcoming year’s hottest and most anticipated comic book adaptations that will come alive on screen.

THIS YEAR
The Incredible Hulk-It was half a decade ago when art-house director Ang Lee brought this 1962 Marvel comic character turned TV show to life in an underwhelming and underperforming flop. However, the giant green guy who you don’t want to get mad is making a reinvented comeback. The comic is about physicist Dr. Robert Bruce Banner who gets caught in an explosion by a Gamma bomb which he created turning him into “The Hulk”. Edward Norton plays our superhero in the upcoming remake with Liv Tyler as his love interest, Betty Ross.

Wanted-Published in 2003 by Top Cow, this violent miniseries makes its leap to the big screen. Forget superheroes, Wanted is all about the supervillains. The intriguing set-up circles around Wesley Gibson, a white-collar nobody with a boring life. Things hit the ceiling when Wes finds out that his father got assassinated and that he was a supervillain called, The Killer; a part of the villainous Fraternity. Rising star James McAvoy plays Wesley with Angelina Jolie and Morgan Freeman as his mentors that try to bring out the murderer in him.

The Dark Knight-The beloved caped crusader is back in his 6th film under Christopher Nolan who revamped the series with Batman Begins. Bob Kane’s creation published under DC Comics debuted in 1939 and was turned into a TV show in the late 60s. Under the mask is rich playboy philanthropist, Bruce Wayne, who protects New York’s Gotham City after his parents were killed. With no superpowers, he does have a super utility belt. Gliding into theaters this July, Christian Bale reprises the role of the Dark Knight with the belated Heath Ledger (in his last full performance) as the Joker and Aaron Eckhart as politician turned villain Two-Face.

The Spirit-From the 1940 Will Eisner newspaper strip, Frank Miller brings the comic to the silver screen this Christmas in vein of the visual styling’s of his other work, Sin City and 300. Denny Colt is a rookie cop returned from the dead as a masked vigilante, the Spirit, protecting his city. Gabriel Macht will play The Spirit. Samuel L. Jackson plays the villain, The Octopus with Scarlett Johansson as his accomplice. Eva Mendes is Sand Saref, the Spirit’s love interest who ends up on the other side of the law.

2009
Barbarella-Originated in France in 1962, the raunchy science-fiction comic finds the busty Barbarella adventuring around the galaxy. It was made into a notorious 1968 flick starring Jane Fonda. Jean-Claude Forest’s comic might find new life as it is to be remade by Robert Rodriguez, starring his girlfriend, Rose McGowan. However, the big-budget is causing delays.

Justice League: Mortal-Super friends: Aquaman, Batman, the Flash, Green Lantern, Superman and Wonder Woman are to finally unite. The relatively unknown very young cast and director George Miller (Happy Feet) is an ominous sign. WB is hoping that this picture will jump-start separate series with the lesser known superheroes in the gang. However, shooting location disputes leave this picture hanging. Marvel Comics is pulling together a similar picture with its own line of superheroes, The Avengers, for 2011.

Watchmen-Alan Moore’s 12-issue series published by DC in 1986 is one of the most anticipated comic book movies coming out. The depiction of Superheroes as real people made it a success. The story follows a mysterious murder of a fellow superhero with shocking dark twists and turns. Zack Snyder (300) directs with the lesser known but talented cast that includes: Patrick Wilson, Jeffrey Dean Morgan, Billy Crudup and Jackie Earle Haley.

Y: The Last Man- The 2002 Vertigo comic book stars Yorick Brown, the only male left alive after a suspected plague kills every mammal on earth with a Y-chromosome. This critically acclaimed comic shows a post-male world while chronicling Yorick and his friends’ journey. D.J. Caruso (Disturbia) is set to direct with a rumor of Shia LaBeouf to star.

2010
The First Avenger: Captain America-Synonymous with American comics, Captain America will finally get a break and be made into a feature film. Created by Joe Simon and Jack Kirby; Marvel Comics has published it since 1941. The alter ego of Steve Rogers, gains his powers by a serum to aid the US in the war effort. Director Nick Cassavetes is the son of John who directed Iron Man.

Also keep an eye out for the forthcoming follow-ups to our favorite comic book adaptations: Iron Man, The Punisher, Superman, Sin City, and X-Men. Other projects announced are: Barbarella, Buck Rogers, The Flash, Nick Fury, Shazam, and Wonder Woman.

These big-budgeted and special effects laden projects finally make our favorite heroes truly fly off the page.

"Indiana Jones" is back

**** out of ****

Everyone’s favorite globe-trotting, artifact-digging, whip-cracking, fedora-wearing professor is back in Indiana Jones and the Kingdom of the Crystal Skull. Harrison Ford graces the silver screen again as Indiana Jones, exactly 19 years after 1989’s Last Crusade; Crystal Skull is the franchise’s 4th installment.

Not quite the Indiana Jones we know from Raiders of the Lost Ark, there is still plenty of nostalgia from start to finish, appeasing the older generation as well as today’s, bringing out the excitable kid in all of us.

The year is 1957 and Indy is once again in peril, being captured by Russian radical sword-wielding psychic scientist Irina Spalko (Cate Blanchett). Spalko forces Jones to search for a mysterious magnetized artifact in a government warehouse, but just in the knick of time, Indiana escapes…temporarily.

Young greaser Mutt Williams (Shia LaBeouf) meets up with Indy for his aid in finding lost colleague, Professor Oxley (John Hurt), who was previously kidnapped by Spalko to find the legendary city of gold, El Dorado. But the gold is not at stake, rather a crystal skull. The crystal skull is a supernatural object that grants its retriever unimaginable powers.

Setting off to South America and the deep, dark dangerous jungles of Peru, Indiana Jones, with Mutt in tow, fight off creepy-crawlers, hoards of ants, ancient tribes and the Soviets with non-stop action and adventure at every turn.

Harrison Ford is back in action as the adventure-seeking, wise-cracking Indiana Jones. Even though he is well into his sixties, Ford still can crack a whip. Also aging well is Karen Allen reenacting her role as Marion Ravenwood. Indiana’s tough-girl love interest in Raiders, Allen is pleasurable in her scenes next to Ford.

For today’s youth, Shia LaBeouf, who seems to be Speilberg’s favorite actor (producing most of his films), joins the crowd as the young spelunker. Cate Blanchett dons a heavy Russian accent as our villain, but probably is one of the weakest dastardly characters in the series with a underdeveloped part.

Steven Speilberg and George Lucas team up again and still have the magic touch. Lucas, who dreamt up Star Wars, also came up with idea for Indiana Jones. However, David Koepp (wrote Speilberg’s War of the Worlds, The Lost Word: Jurassic Park) pens the fun script that at spots gets murky.

Speilberg keeps up his outstanding credentials with stupendous sequences that you must see to believe. In particular, a jungle car chase with plenty of swashbuckling and bullet flying action that will keep anyone on the edge of their seats.

With plenty of familiarity too it, one reason why this Jones feels slightly different from the others is its CGI. Still with plenty of practical special effects (reportedly only 30% of effects were CGI), the graphics in some scenes can’t help but go unnoticed, though they are of course top-notch. Also, the extraterrestrial subject matter doesn’t feel too Jones-ish.

With exactly the perfect amounts of danger, humor, adventure, romance and swashbuckling, Indiana Jones and the Kingdom of the Crystal Skull is nearly impossible not to enjoy.

Battles around in "Narnia" sequel

*** out of ****

Based on C.S. Lewis' timeless book series, "The Chronicles of Narnia: Prince Caspian" is the second installment and just as entertaining as 2005's "The Lion, the Witch and the Wardrobe."

Taking place a year later, the Pevensie children are settling back into their normal life in London.
Older siblings Peter (William Moseley) and Susan (Anna Popplewell) seem to have put Narnia behind them, while younger Edmund (Skandar Keynes) and youngest Lucy (Georgie Henley) are aching to go back.

The younger ones get their way, being transported back to Narnia, only this time they travel through a subway station.

And the mode of transport isn't the only new thing to have happened since last visiting Narnia. Although only one year has past, 2,300 years have elapsed in Narnia time, and the once magical land is left in shambles.

The Narnians are near extinction thanks to the human Telmarines.

The Telmarine race is in chaos. Prince Caspian's (Ben Barnes) evil uncle, King Miraz (Sergio Castellitto), tries to assassinate Caspian after his wife (Alicia Borrachero) bears a boy who will become his successor. Caspian narrowly escapes his uncle's deadly clutches and runs off to Narnia for help.

Caspian promises to restore peace in Narnia if he can get his place back on the royal throne.

With the help of the Pevensies, Caspian rounds up all of the surviving mystical creatures in Narnia to rebel against Miraz and bring civility back to the land.

Even with more spectacular scenery, thrills, battles, creatures and carnage, "Prince Caspian" is slightly less impressive than it's predecessor. In lieu of the magical mysticism, we get more action.

Director Andrew Adamson ("The Chronicles of Narnia: The Lion, the Witch and the Wardrobe") has become more tactful with his crafty camerawork, sweeping across the beautiful landscapes.

Almost two-and-a-half hours, the same length as the first film, "Prince Caspian" noticeably needs trimming.

The battle scenes are intense, epic and gargantuan. Edited superbly, one or two scenes could have been trimmed along with some dialogue and unneeded new characters.

The writing team of director Adamson, Christopher Markus and Stephen McFeely return. The script delves a little too deep into the hierarchy of the land, and some humor also is missing.

"Prince Caspian" has a much darker and savage tone compared to the first, focusing less on the characters and more on politics and battles.

Peter Dinklage ("Death at a Funeral," "Nip/Tuck") as new character Trumpkin, a dwarf with dry wit, is a welcome addition. Eddie Izzard ("The Riches") also visits the world of Narnia as the voice of the swashbuckling mouse Reepicheep, who is reminiscent of Shrek's Puss In Boots (Adamson also directed the first two "Shrek" movies). Hopefully at least one of the two will return for the next installment, "The Voyage of the Dawn Treader," which is set to sail in 2010 and will be guided by new director Michael Apted ("Enough," "The World Is Not Enough").

The magnificent child actors that play the Pevensie children are marvelous and Castellitto is menacing as Miraz. Barnes, however, comes off too timid as the warrior Prince Caspian.

Not as perfect as the original, a faithful adaptation with rousing battles and likable characters makes "The Chronicles of Narnia: Prince Caspian" a summer blockbuster must-see.

'Speed Racer' runs out of gas early on

*1/2 out of ****

"Speed Racer" is a candy-colored film that is more style than substance. Too long and confusing for young ones, too feverish and hip for most adults, "Speed Racer" runs off course.

Based on a Japanese cartoon series and popular comic, "Speed Racer" now takes a turn as a $100 million blockbuster.

In a film that possibly utilizes more green screen for its perfectly fine balance between cartoon and CGI than any other, "Speed" may go fast, but the film still is a drag.

Set in a futuristic society, Emile Hirsch is Speed Racer, a kid who has racing on his mind and in his blood. His Pops (John Goodman) builds race cars and his brother Rex (Scott Porter), one of the best racers in the world, drives them. However, things change when Rex dies in a tragic accident. Unfazed, Speed gets behind the wheel of his brother's car, the Mach 5, and vrooms-off.
One of the most precocious racers on the track, Speed catches the menacing eye of racing entrepreneur Royalton (Roger Altman).

Royalton shows Speed the dark truth about racing with a daunting ultimatum: Speed drives for Royalton or never races again.

With the help of the mysterious Racer X (Matthew Fox) and Taejo Togokahn (Korean pop-star Rain), Speed is determined to bring down the evil Royalton and bring credit back to the sport he loves so much.

The kaleidoscope visuals are equivalent to having Starbursts bombard your cornea. Trying to recreate the sugar-rush cartoon effect, "Racer" succeeds in essence, but not as a whole, playing out like a video game that has you searching for a controller.

In their first non-"Matrix" directorial effort in years, the Wachowski Brothers sputter-out with "Speed Racer." The camera work and creativity is top-notch, but feels uncontained. The race scenes are a rollercoaster ride on the crazy tracks that you might find inside a Hot Wheels box, but in between not much transpires.

"Speed" is a film that focuses more on visuals than acting. The cast looks the part, but still acts like the one-dimensional characters they are portraying. Emile Hirsch squints in concentration in front of the green screen with the mega-pixels doing the rest of the work. Christina Ricci, who plays Speed's girlfriend Trixie, nicely compliments Hirsch.

Paulie Litt, who plays little brother Spritle, fails to be energetic, though his role is of a hyper, sugar-crazed kid. Matthew Fox is dead behind the eyes, delivering the most monotone performance of the decade as the highly secretive Racer X.

The most animated performance comes from the Racer family's pet monkey, Chim Chim, who even upstages a pro like Susan Sarandon. Still she can't make the childish dialogue fly off the page as caring Mom.

Perhaps the film is too far ahead of its time. "Speed Racer" might win all of the races, but by the time he completes the first leg, the movie is low on gas.

"Iron Man" ushers in blockbuster season

***1/2 out of ****

All that glitters is iron as "Iron Man," the first summer blockbuster of 2008, starts off the season with a gigantic bang.

It was only a year ago that "Spider-Man 3" took theaters by storm in what was dubbed the "summer of the threequel," with the third installments of the "Shrek," "Pirates of the Caribbean," "Ocean's," "Rush Hour" and "Bourne" franchises. This summer could be dubbed the "start of a summer series" with the coming of "Get Smart," based on a TV show, "Mama Mia!," a musical and "Wanted," a novel. "Iron Man" comes from a comic series and is one of the best films of the year so far.

Stan Lee's creation, Iron Man first made his appearance in comic books in 1962. Unlike most of the superheroes of the time, Iron Man was one of the first to have no real superpowers other than an invincible suit. Always a second-tier Marvel superhero, it shouldn't be long until Iron Man becomes a household name.

Robert Downey Jr. plays the main character Tony Stark. Stark is a genius engineer/billionaire/playboy who lives in a futuristic house on the coast of Malibu. His fortune comes from Stark Industries, a company that sells high-tech military weapons capable of mass destruction.

On a return trip back home from showing weapons to an army in Afghanistan, a group of terrorists, led by Raza (Faran Tahir), kidnap Stark and hold him in captivity. They want him to build a Jericho missile for their group with help from fellow captive Yinsen (Shaun Toub). What Tony builds isn't a missile, but another weapon entirely. He manufactures a makeshift suit of iron equipped with flamethrowers and rocket technology to fly.

Eluding his kidnappers after an exhilarating shoot 'em up thrill ride, Stark arrives home with a conscience crisis from seeing his weapons being used against the people that they are supposed to protect.

After a snazzy red and gold paint job and some creative engineering adjustments, Stark suits up as Iron Man to protect the world from the harm that he created.

Downey plays the role with a slick ease, comical not cynical and has fun with the part while engaging the audience with enjoyment as he gets adjusted to the suit's gadgets.

The Oscar-caliber cast is exquisitely perfect. Gwyneth Paltrow plays Stark's breezy, sarcastic assistant/love interest Pepper Potts. Terrence Howard is Stark's right-hand man and military pal Jim Rhodes. Jeff Bridges plays Obadiah Stane, Stark's shady business partner.

Mark Fergus and Hawk Ostby ("First Snow," "Children of Men") along with newcomers Art Marcum and Matt Holloway wrote the screenplay that captures the drama and development that most films lack, and supply a dose of comedy and action. The ending, however, misses the same ingenious spark as the rest of the film.

The countless special effects are some of the best to date and extraordinarily seamless with the reality of the scene.

Move over Spider-Man and Superman, "Iron Man" is flat out an all-around crowd-pleaser.

Helen Hunt reappears with new film

*** out of ****

Academy Award-winning actress Helen Hunt seemingly has fallen off the movie map since 2000's "Cast Away" and "What Women Want." Hunt makes her comeback not only as an actress, but as a first-time feature film producer, writer and director with "Then She Found Me"

The film stars Hunt as April Epner, a New York schoolteacher who goes into a mid-life crisis after multiple hits of fate.

The first is her inability to conceive a child naturally with her biological clock ticking. The second hit catches April off guard when her husband, Ben (Matthew Broderick), who works at the same school, unexpectedly leaves her. The third hit is her adoptive mother, Trudy (Lynn Cohen), passes away and, if that isn't enough, April's birth mother, Bernice (Bette Midler), decides to re-enter April's life. Then, a gentlemanly Brit named, Frank (Colin Firth), a father of one of April's students, unexpectedly enters her life.

Well directed, the movie has both April and the audience feeling overwhelmed with all of this happening and on board for a charming ride.

April has a hard time believing the bouncy Bernice, a semi-famous morning talk show host, is her mother, a woman who never is entirely honest about the story of April's adoption and her birth father.

When April finally settles in with the idea of Bernice being her mother and her newfound romance with Frank, a new problem arises: April finds out she is finally pregnant, but with Ben's baby. Ben, trying to come back into the picture as the father, brings complications to her romance with Frank.

Sorting through life with the help of each of these characters and her non-adopted brother Freddy (Ben Shenkman), "Then She Found Me" is a realistic look into making the best of what life gives you, even if it appears to be the worst.

"Then She Found Me" boasts a fabulous cast of actors who rarely are seen in films anymore, including Bette Midler, whose last appearance was in the underwhelming 2004 remake "The Stepford Wives."

Colin Firth ("Bridget Jones's Diary") is fine as the single father Frank, but the role isn't much of a stretch from his previous work. Matthew Broderick gives a rare dramatic performance as April's husband, who is finally ready to accept responsibility. Two-time Oscar nominee Midler fits her role like a glove as the over-the-top Bernice, who generates the film's biggest laughs.

Hunt marvels as April in a difficult role that reconfirms her status as an Oscar-winning actress. As a director and writer she pulls it off. Starting as a comedy, the film is a little rocky, but the fairly smooth transition into drama is where it excels.

The brave screenplay doesn't feel like a studio product, like most films of its genre today. The movie provides a content down-to-earth ending that caps off a satisfying journey. One of the better movies of its class in a long time, "Then She Found Me" truly is a find.

"Baby Mama" is a bundle of joy

*** out of ****

Baby movies seem to be all the rage in Hollywood. "Baby Mama" is a comedy that shows us the lighter side of pregnancy. While we confirmed this from last year’s "Knocked Up", "Waitress" and "Juno", unlike "Baby Mama" all of these films had a sober edge. "Mama" takes the sugary-sweet approach making it less memorable than the other films. However, it sure doesn’t skip on the laughs, providing many knee slapping moments.

From "Saturday Night Live"’s Weekend Update, the comedic duo Tina Fey and Amy Poehler have taken different career paths. Fey became a successful award-winning TV actress on NBC’s "30 Rock". Poehler stuck with "SNL" and took supporting scene-stealing roles in comedies like "Blades of Glory" and "Shrek the Third" to name a few.

In "Baby Mama" the laughable duo reteams again oozing with comedic chemistry.

Fey plays Kate Holbrook, a slightly altered version of her neurotic "30 Rock" character, Liz Lemon. Vice President at a Philadelphia organic supermarket chain; years of climbing up the corporate ladder, single Kate realizes all that is missing in her life is a baby. After many failed attempts at conceiving, 37-year-old Kate whose chances of becoming pregnant are one in a million, resorts to surrogacy.

When finding out that the hefty fee for a surrogate is $100,000, Kate wittily replies to clinic’s owner Chaffee Bicknell (Sigourney Weaver), “It costs more to have some one born than to have someone killed.” Chaffee casually rejoinders, “It just takes longer.”

Here is when Angie Ostrowiski (Amy Poehler) a loud trailer park slob comes into play as Kate’s surrogate. While it seems hard to believe that a woman like her could pass the clinic’s screening process, Angie agrees to help Kate achieve her dream of becoming a mother.

But after Angie and her common-law boyfriend Carl (Dax Shepard) break-up, Angie, who has no clue on the rules of pregnancy, moves in with the welcoming Kate.

While living together, Angie teaches Kate how to let loose while Kate teaches Angie how to grow up; their clashing personalities provide many laughs in this female buddy comedy. Not serious or offensive to anyone, Baby Mama’s message shows that there are multiple ways of obtaining a child and no choice is the wrong one.

Lone writer Michael McCullers ("Saturday Night Live", "Austin Powers 2-3", "Undercover Brother") also makes his directorial debut. Predictable but fun, McCullers adds in some curveballs that you never see coming, that involve Angie not being entirely truthful with Kate.

A big strong supporting cast adds to the movies fun. Weaver is comical as the extremely fertile clinic owner. Shepard has his share of humorous one-liners. Romany Malco ("Weeds", "The 40 Year Old Virgin") is the amusing door-holder at Kate’s building who becomes Angie’s confidant. Maura Tierney ("ER") adds snarky quips as Kate’s sister along with Holland Taylor ("Two and a Half Men") as her mother. Siobhan Fallon also has a brief part as the teacher at a Lamaze class with an Elmer Fudd accent, one of the movie’s funniest scenes.

Gregg Kinnear is a big player in the film as Kate’s love interest who mixes in some drama. Steve Martin however, is the weakest actors as Kate’s over-the-top hippie boss with most scenes not fitting in with the rest of the film.

The pairing of two of the funniest women today, Tina Fey and Amy Poehler, is what makes this movie an event to see. The scenes without them together are usually the frailest. Thankfully about 90% of the time they are side-by-side. Fey plays the same role type of a buttoned-up character with an everyday charm. Poehler on the other-hand is a loud-mouth, shrill, obnoxious character that somehow manages to find a place in our hearts.

A smart light comedy, "Baby Mama" is certainly a bundle of joy.